Deshpande’s fiction focuses on a woman’s awareness of her situation, her desire to be recognized as an individual with an
independent social image rather than as a woman, the shadow of her man. Deshpande portrays her woman protagonist’s rebel
against her man-woman relationships, first, in the form of father-daughter and then in the form of husband-wife. In the later,
Deshpande makes her women character go through such a marital relationship, that even pleasure becomes an illusion for them and
‘lovemaking’ is degraded to a state of lustful, cruel, satiation of physical desire by the man. Happiness becomes a dream with grief
attaining reality status. In ‘A Liberated Woman’, the protagonist is a lady doctor through whom Deshpande has come back to her
favorite theme disharmonious and distressful of man-woman relationship. Deshpande’s woman protagonist, trapped in an unhappy
marriage with a husband who has only apathy for her as he is not able to digest her success as a professional. Deshpande’s narrator
expresses her pain and anguish as a reflection of the failure of her husband-wife relationship. Each statement of narration sounds as
an anguished emotional cry of the hurt felt in her deep wounds. As she expresses her pain, she also laments on her unsuccessful
marital relationship due to the weakness of the male psyche as she opines, that, “I can’t cry, the birds may hear. I can’t fight back
either, he’s too strong for me.” (A Liberated Woman: 27)
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Author Name: Dr. Rashmi Singh
URL: View PDF
Keywords: unhappy marriage, pain and anguish, emotional cry
ISSN: 2349-4182
EISSN: 2349-4182
EOI/DOI:
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