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Hybridization and Creolization in Salman Rushdie’s Shalimar The Clown: A Global Mélange

The present paper attempts to analyses Salman Rushdie’s Shalimar The Clown in the light of the issues like Hybridization, Creolization, and Homogenization as the important components of the process of Globalization. The novel reveals a story of an innocent protagonist from Kashmir who turns into a brutal slayer as a member of terrorist group. The literary motif of Rushdie is to reflect the cultural changes that are caused by the process of globalization. Three generations from Kashmir are reflected which depict the changes they have witnessed the process of hybridization and crolization in their indigenous culture. The paper analyses novel while using different models of Cultural Studies and brig out certain research findings that can be generalized in the field of Literary Criticism



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Keywords: Critical Space, hybridization, creolization, Rushdie, cultural Study, Shalimar the Clown, globalization, etc.

ISSN: 2319-3689

EISSN: Critical Space


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