This article aims to discuss issues common to experimental cinema and po-etry: self - awareness of language, attention to the materiality of signs and means and interest in the hybridization of languages are the main points in common of these two fields of experimental creation. But above all experimental poetry and cinema are marked by the tension between the physical-corporeal limits of human perception and the desire for an art that presentify the virtual. This article proposes to think the question based on the concepts of intersemiosis and holosignia.
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Author Name: Júlio Mendonça
URL: View PDF
Keywords: Poetry, Cinema, Perception, Holosignia
ISSN: 2526-1789
EISSN:
EOI/DOI: https://doi.org/10.29147/dat.v
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